Bringing together studies by art historians, historians, and
political scientists, "Fascist Visions" explores the themes and
paradigms that pervaded protofascist and fascist aesthetic
discourse, cultural policy, and artistic production in France and
Italy. Whether traditionalist or innovative in idiom, art
functioned as the expression of fascism's ideological polarities:
nihilism and idealism, modernism and antimodernism, revolution and
reaction. This volume charts the unfolding of fascist aesthetics
from its genesis in nationalist and antimaterialist ideologies
before World War I to its full development during the interwar
period and World War II. It also highlights the shared motivations
of advocates of fascist aesthetics, including artists, art critics,
political activists, and government officials, outside of
Germany.
The eight essays in this book investigate the intersection of
fascist ideology and aesthetics through a wide range of historical
examples. Topics include: theories of cultural regeneration in
Italy from the Risorgimento to fascism; the impact of fascism upon
the work of such artists and art critics as Ardengo Soffici, Mario
Sironi, Valentine de Saint-Point, and Waldemar George; the theories
of modernist urbanism developed by Georges Valois's Faisceau; and
official sponsorship of painting and the decorative arts in
Mussolini's Italy and in Vichy France. The contributors to this
volume include Walter Adamson, Matthew Affron, Mark Antliff, Emily
Braun, Michele Cone, Emilio Gentile, Nancy Locke, and Marla
Stone."
General
Imprint: |
Princeton University Press
|
Country of origin: |
United States |
Release date: |
November 1997 |
First published: |
November 1997 |
Editors: |
Matthew Affron
• Mark Antliff
|
Dimensions: |
235 x 152 x 22mm (L x W x T) |
Format: |
Paperback
|
Pages: |
296 |
Edition: |
New |
ISBN-13: |
978-0-691-02737-1 |
Categories: |
Books
Promotions
|
LSN: |
0-691-02737-4 |
Barcode: |
9780691027371 |
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