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Sovereign Feminine - Music and Gender in Eighteenth-Century Germany (Hardcover)
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Sovereign Feminine - Music and Gender in Eighteenth-Century Germany (Hardcover)
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In the German states in the late eighteenth century, women
flourished as musical performers and composers, their achievements
measuring the progress of culture and society from barbarism to
civilization. Female excellence, and related feminocentric values,
were celebrated by forward-looking critics who argued for music as
a fine art, a component of modern, polite, and commercial culture,
rather than a symbol of institutional power. In the eyes of such
critics, femininity - a newly emerging and primarily bourgeois
ideal - linked women and music under the valorized signs of
refinement, sensibility, virtue, patriotism, luxury, and, above
all, beauty. This moment in musical history was eclipsed in the
first decades of the nineteenth century, and ultimately erased from
the music-historical record, by now familiar developments: the
formation of musical canons, a musical history based on technical
progress, the idea of masterworks, authorial autonomy, the musical
sublime, and aggressively essentializing ideas about the
relationship between sex, gender and art. In Sovereign Feminine,
Matthew Head restores this earlier musical history and explores the
role that women played in the development of classical music.
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