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Books > Arts & Architecture > Performing arts > Films, cinema
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Science Fiction Cinema and 1950s Britain - Recontextualizing Cultural Anxiety (Hardcover)
Loot Price: R3,988
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Science Fiction Cinema and 1950s Britain - Recontextualizing Cultural Anxiety (Hardcover)
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This book is open access and available on
www.bloomsburycollections.com. It is funded by Knowledge Unlatched.
For the last sixty years discussion of 1950s science fiction cinema
has been dominated by claims that the genre reflected US paranoia
about Soviet brainwashing and the nuclear bomb. However, classic
films, such as Invasion of the Body Snatchers (1956) and It Came
from Outer Space (1953), and less familiar productions, such as It!
The Terror from Beyond Space (1958), were regularly exported to
countries across the world. The histories of their encounters with
foreign audiences have not yet been told. Science Fiction Cinema
and 1950s Britain begins this task by recounting the story of 1950s
British cinema-goers and the aliens and monsters they watched on
the silver screen. Drawing on extensive archival research, Matthew
Jones makes an exciting and important intervention by locating
American science fiction films alongside their domestic
counterparts in their British contexts of release and reception. He
offers a radical reassessment of the genre, demonstrating for the
first time that in Britain, which was a significant market for and
producer of science fiction, these films gave voice to different
fears than they did in America. While Americans experienced an
economic boom, low immigration and the conferring of statehood on
Alaska and Hawaii, Britons worried about economic uncertainty, mass
immigration and the dissolution of the Empire. Science Fiction
Cinema and 1950s Britain uses these and other differences between
the British and American experiences of the 1950s to tell a new
history of the decade's science fiction cinema, exploring for the
first time the ways in which the genre came to mean something
unique to Britons.
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