Books > Language & Literature > Literature: history & criticism > Literary studies > 16th to 18th centuries
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Digital Humanities and the Lost Drama of Early Modern England - Ten Case Studies (Hardcover, New Ed)
Loot Price: R4,074
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Digital Humanities and the Lost Drama of Early Modern England - Ten Case Studies (Hardcover, New Ed)
Series: Studies in Performance and Early Modern Drama
Expected to ship within 12 - 17 working days
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This book establishes new information about the likely content of
ten lost plays from the period 1580-1642. These plays' authors
include Nashe, Heywood, and Dekker; and the plays themselves
connect in direct ways to some of the most canonical dramas of
English literature, including Hamlet, King Lear, The Changeling,
and The Duchess of Malfi. The lost plays in question are: Terminus
& Non Terminus (1586-8); Richard the Confessor (1593); Cutlack
(1594); Bellendon (1594); Truth's Supplication to Candlelight
(1600); Albere Galles (1602); Henry the Una (c. 1619); The Angel
King (1624); The Duchess of Fernandina (c. 1630-42); and The
Cardinal's Conspiracy (bef. 1639). From this list of bare titles,
it is argued, can be reconstructed comedies, tragedies, and
histories, whose leading characters included a saint, a robber, a
Medici duchess, an impotent king, at least one pope, and an angel.
In each case, newly-available digital research resources make it
possible to interrogate the title and to identify the play's
subject-matter, analogues, and likely genre. But these concrete
examples raise wider theoretical problems: What is a lost play?
What can, and cannot, be said about objects in this problematic
category? Known lost plays from the early modern commercial theatre
outnumber extant plays from that theatre: but how, in practice, can
one investigate them? This book offers an innovative theoretical
and practical frame for such work, putting digital humanities into
action in the emerging field of lost play studies.
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