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Books > Science & Mathematics > Biology, life sciences > Life sciences: general issues > Neurosciences

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The Nervous Stage - Nineteenth-century Neuroscience and the Birth of Modern Theatre (Hardcover) Loot Price: R1,374
Discovery Miles 13 740
The Nervous Stage - Nineteenth-century Neuroscience and the Birth of Modern Theatre (Hardcover): Matthew Wilson Smith

The Nervous Stage - Nineteenth-century Neuroscience and the Birth of Modern Theatre (Hardcover)

Matthew Wilson Smith

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Loot Price R1,374 Discovery Miles 13 740 | Repayment Terms: R129 pm x 12*

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Nineteenth-century investigations into the nervous system produced extraordinary discoveries that changed ways of thinking far beyond the scientific community. Over the course of the century, scientists began to conceive of the subject not principally as soul, mind, or even brain, but instead as a complex of organically interacting mechanisms, many of them operating more or less autonomously and unconsciously. Meanwhile, theatrical works of the time by Shelley, Wagner, Dickens, Buchner, Zola, and Strindberg, sought to play directly on the nerves of the spectators through non-representational means, comprising a coherent genre Matthew Wilson Smith has dubbed the "theaters of sensation." The Nervous Stage examines the relations between theatrical practices and the scientific study of the nervous system, arguing that to a significant degree, modern theater emerged out of the interaction between these two apparently disparate fields. In six chapters, The Nervous Stage makes three fundamental contributions to scholarship on comparative literature, specifically in the areas of drama/performance, cognitive literary studies, and the beginnings of global modernism. Through a series of revisionist readings of specific theatrical works and artists, Smith demonstrates that a number of literary texts were deeply engaged in dialogue with the neurological sciences of their period, and that an appreciation of this dialogue helps us better to understand their significance for their own historical period as well as for our own. Furthermore, it argues that a number of lesser-known works-ranging from certain "closet dramas" such as Shelley's The Cenci to popular melodramas such as Augustin Daly's Under the Gaslight-had much greater cultural significance than has been acknowledged heretofore.

General

Imprint: Oxford UniversityPress
Country of origin: United States
Release date: November 2017
Authors: Matthew Wilson Smith (Associate Professor of German and Theater & Performance Studies)
Dimensions: 241 x 164 x 22mm (L x W x T)
Format: Hardcover
Pages: 240
ISBN-13: 978-0-19-064408-6
Categories: Books > Medicine > General issues > History of medicine
Books > Arts & Architecture > Performing arts > Theatre, drama > General
Books > Language & Literature > Literature: history & criticism > Literary studies > 19th century
Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies > General
Books > Science & Mathematics > Biology, life sciences > Life sciences: general issues > Neurosciences
LSN: 0-19-064408-7
Barcode: 9780190644086

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