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Extreme Cinema - The Transgressive Rhetoric of Today's Art Film Culture (Paperback)
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Extreme Cinema - The Transgressive Rhetoric of Today's Art Film Culture (Paperback)
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Donate to Against Period Poverty
Total price: R862
Discovery Miles: 8 620
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Honorable mention, 2017 Best Monograph Award from
the British Association of Film, Television and Screen
Studies (BAFTSS) From Shortbus to Shame and from Oldboy to
Irreversible, film festival premieres regularly make international
headlines for their shockingly graphic depictions of sex and
violence. Film critics and scholars alike often regard these movies
as the work of visionary auteurs, hailing directors like Michael
Haneke and Lars von Trier as heirs to a tradition of transgressive
art. In this provocative new book, Mattias Frey offers a very
different perspective on these films, exposing how they are also
calculated products, designed to achieve global notoriety in a
competitive marketplace. Paying close attention to the
discourses employed by film critics, distributors, and filmmakers
themselves, Extreme Cinema examines the various tightropes that
must be walked when selling transgressive art films to discerning
audiences, distinguishing them from generic horror, pornography,
and Hollywood product while simultaneously hyping their salacious
content. Deftly tracing the links between the local and the global,
Frey also shows how the directors and distributors of extreme art
house fare from both Europe and East Asia have significant
incentives to exaggerate the exotic elements that would
differentiate them from Anglo-American
product. Extreme Cinema also includes original
interviews with the programmers of several leading international
film festivals and with niche distributors and exhibitors, giving
readers a revealing look at how these institutions enjoy a
symbiotic relationship with the “taboo-breakers” of art house
cinema. Frey also demonstrates how these apparently transgressive
films actually operate within a strict set of codes and
conventions, carefully calibrated to perpetuate a media industry
that fuels itself on provocation.
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