McKenzie Wark invents a new genre for another gender: not a memoir
but an auto-ethnography of the opacity of the self. Another genre
for another gender. What if you were trans and didn't know it? What
if there were some hole in your life and you didn't even know it
was there? What if you went through life not knowing why you only
felt at home in your body at peak moments of drugs and sex? What if
you expended your days avoiding an absence, a hole in being?
Reverse Cowgirl is not exactly a memoir. The author doesn't, in the
end, have any answers as to who she really is or was, although
maybe she figures out what she could become. Traveling from Sydney
in the 1980s to New York today, Reverse Cowgirl is a comedy of
errors, chronicling the author's failed attempts at being gay and
at being straight across the shifting political and media
landscapes of the late twentieth century. Finding that the
established narratives of being transgender don't seem to apply to
her, Wark borrows from the genres of autofiction, fictocriticism,
and new narrative to create a writing practice that can discover
the form of a life outside existing accounts of trans experience:
an auto-ethnography of the opacity of the self.
General
Imprint: |
Semiotext(e)
|
Country of origin: |
United Kingdom |
Series: |
Semiotext(e) / Native Agents |
Release date: |
February 2020 |
First published: |
2020 |
Authors: |
McKenzie Wark
(Associate Professor of Media Studies)
|
Dimensions: |
203 x 137 x 14mm (L x W x T) |
Format: |
Paperback
|
Pages: |
200 |
ISBN-13: |
978-1-63590-118-4 |
Categories: |
Books >
Social sciences >
General
Promotions
|
LSN: |
1-63590-118-9 |
Barcode: |
9781635901184 |
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