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Post-Apartheid Gothic - White South African Writers and Space (Hardcover)
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Post-Apartheid Gothic - White South African Writers and Space (Hardcover)
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Post-Apartheid Gothic: White South African Writers and Space
analyses the representation of space in recent works by South
African writers. By combining analytical tools borrowed from Gothic
studies with geocritical and postcolonial approaches, the author
tries to assess and understand the literary mechanisms utilized by
Damon Galgut, Henrietta Rose-Innes, Lauren Beukes, Justin Carwright
or Lynn Freed to negotiate the complexities of post-apartheid
identities in their fiction. The author argues that the literary
representations of emblematic places, real or imagined (the home,
the farm, the city or the "non-places" of dystopia) express and
reveal anxieties linked to the sharing of space in post-apartheid
South Africa. She has chosen to successively (re-)visit the places
which have been shaping South African white writing since Olive
Schreiner's African Farm - in other words, its topoi, both in the
etymological sense of "place" and in the literary sense of
recurring themes or arguments. She argues that these Gothicized
topoi have provided writers with tools to explore the deep
anxieties generated by the redefinition of South African society as
the Rainbow Nation. Even if she focuses on the specifically South
African avatars of the Gothic and their interaction with local
forms and genres, like the plaasroman, she also discusses the
impact of globalization on South African literary, cultural, social
and political identities.
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