The book presents a series of interpretive readings of the Romische
Elegien, Sonette, Chinesisch-deutsche Jarhes- und Tageszeiten,
several trilogies, and the shorter cycles of 1821, taking into
account the variety of literary devices Goethe employs to link
poems together into a cycle. The author examines Goethe's role in
the history of the lyric cycle and, in stressing structural design,
urges a reevaluation of the cycle's emergence as a standard poetic
device.
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