As any student of Chinese politics knows, doctrinal controversies
often take the form of carefully constructed literary discussions
or are camouflaged within poems, plays, or stories: Mao's own poems
are a classic example. And, as any observer of intellectuals, past
or present, knows, the purveyors of ideas often do so either under
the protection or in the service of patrons. Goldman (History,
Boston Univ.) has combined these two commonplaces into what he
construes as a uniquely Chinese story. The fact that it's not
doesn't mean, however, that his book is without value in illumining
the lineages of the "liberal" and "radical" intellectuals who have
fought it out within the Communist Party, and without, since the
early 1960s. The liberals descend, he shows, from the ecumenical
May Fourth Movement of the 1920s and embody the "western" ideals of
pluralism and individualism; they clustered around the figure of
Zhou Yang, a top cultural bureaucrat who presided over the rebirth
of such forms as the "ghost play" in the early 1960s (banned as
superstitious residues previously) and who otherwise diverged from
the hard-core tenets of unambiguously socialist art. The radicals
reacted to the cultural relaxation engineered by Zhou - under the
auspices of Liu Shaoqi, but not, according to Goldman, under his
direct control - with a call for socialist spiritual renewal. The
radicals, acting against the party, ushered in the Cultural
Revolution under the leadership of Jiang Qing, Mao's wife, who
acted with Mao's indirect authority. Goldman traces the
machinations of this cultural warfare through various literary
forms, linking the battles to the political struggles waged within
the Party leadership up to the triumph of Deng Xiaoping. With the
"rehabilitation" of academics, artists, and scientists who were
attacked during the Cultural Revolution, Goldman contends, a new
relationship between political power and Chinese intellectuals may
be at hand; and he cites - all too hastily, perhaps - the emergence
of "Democracy Wall" in Beijing as one manifestation of the creation
of a critical intelligentsia independent of factional strife. To
him, this is a more natural relationship - an assumption with which
one could take issue too. But the book's conceptual weaknesses
notwithstanding, Goldman has documented significant aspects of the
political turmoil in China's recent past. (Kirkus Reviews)
Suppression and thaw have marked the course of communism in China.
Merle Goldman traces that shifting pattern over the last decades of
Mao's regime, linking it to the unique role of the intellectual in
government Her engrossing account of the relations between the
intellectuals and the governing elites provides a map of
understanding to some recent events in the turbulent history of the
People's Republic.
General
Imprint: |
Harvard University Press
|
Country of origin: |
United States |
Release date: |
1981 |
First published: |
1988 |
Authors: |
Merle Goldman
|
Dimensions: |
151 x 228 x 22mm (L x W x T) |
Format: |
Paperback
|
Pages: |
282 |
Edition: |
New Ed |
ISBN-13: |
978-0-674-11971-0 |
Categories: |
Books >
Humanities >
History >
General
Books >
History >
General
|
LSN: |
0-674-11971-1 |
Barcode: |
9780674119710 |
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