Analyzing the impact of black abolitionist iconography on early
black literature and the formation of black identity, Fugitive
Vision examines the writings of Frederick Douglass, William Wells
Brown, William and Ellen Craft, and Harriet Jacobs, and the slave
potter David Drake. Juxtaposing pictorial and literary
representations, the book argues that the visual offered an
alternative to literacy for current and former slaves, whose works
mobilize forms of illustration that subvert dominant
representations of slavery by both apologists and abolitionists.
From a portrait of Douglass's mother as Ramses to the incised
snatches of proverb and prophecy on Dave the Potter's ceramics, the
book identifies a "fugitive vision" that reforms our notions of
antebellum black identity, literature, and cultural production.
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