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The Symphonic Poem in Britain, 1850-1950 (Hardcover)
Loot Price: R2,986
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The Symphonic Poem in Britain, 1850-1950 (Hardcover)
Series: Music in Britain, 1600-2000
Expected to ship within 12 - 17 working days
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The Symphonic Poem in Britain 1850-1950aims to raise the status of
the genre generally, and in Britain specifically, by reaffirming
British composers' confidence in dealing with literary texts. The
Symphonic Poem in Britain 1850-1950 aims to raise the status of the
genre generally and in Britain specifically. The volume reaffirms
British composers' confidence in dealing with literary texts and
takes advantage of the contributors' interdisciplinary expertise by
situating discussions of the tone poem in Britain in a variety of
historical, analytical and cultural contexts. This book highlights
some of the continental models that influenced British composers,
and identifies a range of issues related to perceptions of the
genre. Richard Strauss became an important figure in Britain during
this time, not only in terms of the clear impact of his tone poems,
but the debates over their value and even their ethics. A focus on
French orchestral music in Britain represents a welcome addition to
scholarly debate, and links to issues in several other chapters.
The historical development of the genre, the impact of
compositional models, issues highlighted in critical reception as
well as programming strategies all contribute to a richer
understanding of the symphonic poem in Britain. Works by British
composers discussed in more detail include William Wallace's Villon
(1909), Gustav Holst's Beni Mora(1909-10), Hubert Parry's From
Death to Life (1914), John Ireland's Mai-Dun (1921), and Frank
Bridge's orchestral 'poems' (1903-15).
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