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Panofsky and the Foundations of Art History (Paperback, New edition)
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Panofsky and the Foundations of Art History (Paperback, New edition)
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No one has been more influential in the contemporary practice of
art history than Erwin Panofsky, yet many of his early seminal
papers remain virtually unknown to art historians. As a result,
Michael Ann Holly maintains, art historians today do not have
access to the full range of methodological considerations and
possibilities that Panofsky's thought offers, and they often remain
unaware of the significant role art history played in the
development of modern humanistic thought. Placing Panofsky's
theoretical work first in the context of the major historical
paradigms generated by Hegel, Burckhardt, and Dilthey, Holly shows
how these paradigms themselves became the grounds for creative
controversy among Panofsky's predecessors Riegl, Wolfflin, Warburg,
and Dvorak, among others. She also discusses how Panofsky's
struggle with the terms and concepts of neo-Kantianism produced in
his work remarkable parallels with the philosophy of Ernst
Cassirer. Finally, she evaluates Panofsky's better known and later
"iconological" studies by reading them against the earlier essays
and by comparing his earlier ideas with the vision that has
inspired recent work in the philosophy of history, semiotics, and
the philosophy of science."
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