For many, Blue Velvet is David Lynch's masterpiece. It represents a
unique act of cinema: an 80s Hollywood studio film as radical,
visionary and cabalistic as anything found in the avant-garde; a
mysteriously symbolic and subterranean 'cult' movie that
nevertheless has recognisable stars and was broadly distributed; a
genre piece with the ambience of a fearsome, hyper-composed
nightmare; an American 'art film' by Hollywood's only reputable
'art film' director. Michael Atkinson's intricate and layered
reading of the film shows how crystallises many of Lynch's chief
preoccupations: the evil and violence underlying the surface of
suburbia, the seedy by-ways of sexuality, the frightening
appearance of the adult world to a child's eyes, presenting it as
the definitive expression of the traumatized innocence which
characterizes Lynch's work. In his afterword to this new edition,
Atkinson situates Blue Velvet within a culture that has changed
drastically in the 35 years since its release, and in doing so, he
considers the film's lasting significance as it slowly turns from
contemporary phenomenon to an interpretable artifact.
General
Imprint: |
British Film Institute/BBC
|
Country of origin: |
United Kingdom |
Series: |
BFI Film Classics |
Release date: |
October 2021 |
Authors: |
Michael Atkinson
(Adjunct Professor of Film at Long Island University)
|
Dimensions: |
190 x 135 x 8mm (L x W x T) |
Format: |
Paperback
|
Pages: |
88 |
Edition: |
2nd edition |
ISBN-13: |
978-1-83902-371-2 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
Film theory & criticism
|
LSN: |
1-83902-371-6 |
Barcode: |
9781839023712 |
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