This collection of essays, written between 1980 and 2001, places
the search for theoretical elegance at centre stage. The author
shows that although the conceptual difference between 'elegance'
and the minimalist search for 'perfection' may appear to be subtle,
its consequences are in fact wide ranging and radical. These
considerations lead to a markedly different and novel theory of
syntax where most of the major features of minimalism, such as
derivation, economy, merge, move, phrases and projection, are not
just reanalysed or shifted to other components but in a majority of
cases are dispensed with completely or reduced to much simpler
notions. Towards an Elegant Syntax makes available important and
some less easily accessible publications with new introductory
material.
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