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Musica Practica - The Social Practice of Western Music from Gregorian Chant to Postmodernism (Paperback)
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Musica Practica - The Social Practice of Western Music from Gregorian Chant to Postmodernism (Paperback)
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"Musica Practica" is a historical investigation into the social
practice of Western music which advances an alternative approach to
that of established musicology. Citing evidence from Barthes,
Nietzsche, Bakhtin, Max Weber and Schoenberg, Michael Chanan
explores the communal roots of the musical tradition and the
effects of notation on creative and performing practice. He
appraises the psychological wellsprings of music using the insights
of linguistics, semiotics and psychoanalysis. Tracing the growth of
musical printing and the creation of a market for the printed
score, he examines the transformation of patronage with the demise
of the "ancien regime," and draws on little-known texts by Marx to
analyze the formation of the musical economy in the nineteenth
century.
Chanan sketches out an unwritten history of musical instruments as
technology, from Tutankhamen's trumpets to the piano, the ancient
Greek water organ to the digital synthesizer. The book concludes
with reflections on the rise of modernism and the dissolution of
the European tradition in a sea of postmodernism and "world music."
"Musica Practica" assumes no specialist knowledge of music beyond
an ordinary familiarity with common terms and an average
acquaintance with the music of different styles and periods. It is
a fascinating commentary on the soundtrack of daily life in the
metropolis of the late twentieth century.
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