Tracing the history of the documentary from the first Lumiere films
to Michael Moore's "Fahrenheit 9/11," Chanan addresses topics such
as the documentary before documentary, how documentary film
language works, the veracity of the image, the problems of the
soundtrack, the migration of documentary to television, political
documentary, censorship, first-person film-making, and the
relations of the archives to history and memory. Focusing on the
vital contribution of documentary to the public sphere--the space
in which ideas are debated, public opinion is formed and those in
authority are held to account--Chanan argues that, without
documentary, the public sphere is unable to function.
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