First published in 1990, this title explores the nature of the
interaction between Shakespeare and American culture. Shakespeare
stands at the center of an elaborate institutional reality, closely
tied to both cultural and ideological production. His plays,
Michael Bristol asserts, help to constitute a primary affirmative
theme of much American culture criticism, specifically the
celebration of individuality and the values of expressive autonomy.
This reissue will be of particular value to Literature students and
researchers with an interest in Shakespeare, as well as those
interested in American cultural history more generally.
General
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