Michael D. Fowler presents an interdisciplinary approach to
investigating the sound world of traditional Japanese gardens by
drawing from the diverse fields of semiotics, acoustic ecology,
philosophy, mathematical modelling, architecture, music, landscape
theory and acoustic analysis. Using projects -- ranging from
data-visualisations, immersive sound installations, algorithmically
generated meta-gardens and proto-architectural form finding
missions -- as creative paradigms, the book offers a new framework
for artistic inquiry in which the sole objective is the generation
of new knowledge through the act of spatial thinking.
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