Shakespeare's texts are seen by the poet and critic Michael Goldman
as designs for theatrical experience--the complex emotional,
physical, and intellectual transaction between actor and audience
that brings alive Shakespeare's imagination and makes it immediate
to our own. Mr. Goldman's particular concerns are these: what the
audience responds to in an acted play; how Shakespeare controls and
shapes this response; what the response means, and why it matters.
Originally published in 1972. The Princeton Legacy Library uses the
latest print-on-demand technology to again make available
previously out-of-print books from the distinguished backlist of
Princeton University Press. These editions preserve the original
texts of these important books while presenting them in durable
paperback and hardcover editions. The goal of the Princeton Legacy
Library is to vastly increase access to the rich scholarly heritage
found in the thousands of books published by Princeton University
Press since its founding in 1905.
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