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Can't Stand Still - Taylor Gordon and the Harlem Renaissance (Hardcover)
Loot Price: R3,112
Discovery Miles 31 120
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Can't Stand Still - Taylor Gordon and the Harlem Renaissance (Hardcover)
Series: Margaret Walker Alexander Series in African American Studies
Expected to ship within 10 - 15 working days
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Born in 1893 into the only African American family in White Sulphur
Springs, Montana, Emmanuel Taylor Gordon (1893-1971) became an
internationally famous singer in the 1920s at the height of the
Harlem Renaissance. With his musical partner, J. Rosamond Johnson,
Gordon was a crucially important figure in popularizing African
American spirituals as an art form, giving many listeners their
first experience of black spirituals. Despite his fame, Taylor
Gordon has been all but forgotten, until now. Michael K. Johnson
illuminates Gordon's personal history and his cultural importance
to the legacy of the Harlem Renaissance, arguing that during the
height of his celebrity, Gordon was one of the most significant
African American male vocalists of his era. Gordon's story-working
in the White Sulphur Springs brothels as an errand boy, traveling
the country in John Ringling's private railway car, performing on
vaudeville stages from New York to Vancouver to Los Angeles,
performing for royalty in England, becoming a celebrated author
with a best-selling 1929 autobiography, and his long bout of mental
illness-adds depth to the history of the Harlem Renaissance and
makes him one of the most fascinating figures of the twentieth
century. Through detailed documentation of Gordon's
career-newspaper articles, reviews, letters, and other archival
material-the author demonstrates the scope of Gordon's cultural
impact. The result is a detailed account of Taylor's musical
education, his career as a vaudeville performer, the remarkable
performance history of Johnson and Gordon, his status as an
in-demand celebrity singer and author, his time as a radio star,
and, finally, his descent into madness. Can't Stand Still brings
Taylor Gordon back to the center of the stage.
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