While offering a new interpretation of Sir Philip Sidney's elegant
and influential treatise, Apologie for Poetrie (c. 1582), Michael
Mack also makes a case for a new understanding of the historical
process by which human beings were first thought to be endowed with
the power to create -- in Sidney's day a power still reserved for
God alone. Showing that secularist accounts of modernity cannot
explain the development of Sidney's idea of creativity, Mack offers
a version of the birth of modernity in which sacred and secular
values are not necessarily opposed. Unlike previous accounts, his
accommodates what are now recognised to be the continuities between
medieval and Renaissance culture, between the Renaissance and
Romanticism, and between theological speculation and literary
theory.
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