Michael McAteer examines the plays of W. B. Yeats, considering
their place in European theatre during the late nineteenth and
early twentieth century. This original study considers the
relationship Yeats's work bore with those of the foremost
dramatists of the period, drawing comparisons with Henrik Ibsen,
Maurice Maeterlinck, August Strindberg, Luigi Pirandello and Ernst
Toller. It also shows how his plays addressed developments in
theatre at the time, with regard to the Naturalist, Symbolist,
Surrealist and Expressionist movements, and how symbolism
identified Yeats's ideas concerning labour, commerce and social
alienation. This book is invaluable to graduates and academics
studying Yeats but also provides a fascinating account for those in
Irish studies and in the wider field of drama.
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