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Frederick the Great and his Musicians: The Viola da Gamba Music of the Berlin School (Hardcover, New Ed)
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Frederick the Great and his Musicians: The Viola da Gamba Music of the Berlin School (Hardcover, New Ed)
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After decades of stagnation during the reign of his father, the
'Barracks King', the performing arts began to flourish in Berlin
under Frederick the Great. Even before his coronation in 1740, the
crown prince commenced recruitment of a group of musician-composers
who were to form the basis of a brilliant court ensemble. Several
composers, including C.P.E. Bach and the Graun brothers, wrote
music for the viola da gamba, an instrument which was already
becoming obsolete elsewhere. They were encouraged in this endeavour
by the presence in the orchestra from 1741 of Ludwig Christian
Hesse, one of the last gamba virtuosi, who was described in 1766 as
'unquestionably the finest gambist in Europe'. This study shows how
the unique situation in Berlin produced the last major corpus of
music written for the viola da gamba, and how the more virtuosic
works were probably the result of close collaboration between Hesse
and the Berlin School composers. The reader is also introduced to
the more approachable pieces which were written and arranged for
amateur viol players, including the king's nephew and ultimate
successor, Frederick William II. O'Loghlin argues that the
aesthetic circumstances which prevailed in Berlin brought forth a
specific style that is reflected not only in the music for viola da
gamba. Characteristics of this Berlin style are identified with
reference to a broad selection of original written sources, many of
which are hardly accessible to English-speaking readers. There is
also a discussion of the rather contradictory reception history of
the Berlin School and some of its composers. The book concludes
with a complete thematic catalogue of the Berlin gamba music, with
a listing of original manuscript sources and modern publications.
The book will appeal to professional and amateur viola da gamba
players as well as to scholars of eighteenth-century German music.
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