Over the past thirty years, visionary anthropologist Michael
Taussig has crafted a highly distinctive body of work. Playful,
enthralling, and whip-smart, his writing makes ingenious
connections between ideas, thinkers, and things. An extended
meditation on the mysteries of color and the fascination they
provoke, "What Color Is the Sacred?" is the next step on Taussig's
remarkable intellectual path.
Following his interest in magic and surrealism, his earlier work on
mimesis, and his recent discussion of heat, gold, and cocaine in
"My Cocaine Museum," ""this book uses color to explore further
dimensions of what Taussig calls "the bodily unconscious" in an age
of global warming. Drawing on classic ethnography as well as the
work of Benjamin, Burroughs, and Proust, he takes up the notion
that color invites the viewer into images and into the world. Yet,
as Taussig makes clear, color has a history--a manifestly colonial
history rooted in the West's discomfort with color, especially
bright color, and its associations with the so-called primitive. He
begins by noting Goethe's belief that Europeans are physically
averse to vivid color while the uncivilized revel in it, which
prompts Taussig to reconsider colonialism as a tension between
chromophobes and chromophiliacs. And he ends with the strange story
of coal, which, he argues, displaced colonial color by giving birth
to synthetic colors, organic chemistry, and IG Farben, the giant
chemical corporation behind the Third Reich.
Nietzsche once wrote, "So far, all that has given colour to
existence still lacks a history." With "What Color Is the Sacred?"
Taussig has taken up that challenge with all the radiant
intelligence and inspiration we've come to expect from him.
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