This book explores the issue of cultural mobility within the
interwar network of the European avant-garde, focusing on selected
writers, artists, architects, magazines and groups from Poland,
Belgium and Netherlands. Regardless of their apparent linguistic,
cultural and geographical remoteness, their mutual exchange and
relationships were both deep and broad, and of great importance for
the wider development of interwar avant-garde literature, art and
architecture. This analysis is based on a vast research corpus
encompassing original, often previously overlooked periodicals,
publications and correspondence gathered from archives around the
world.
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