Black--favorite color of priests and penitents, artists and
ascetics, fashion designers and fascists--has always stood for
powerfully opposed ideas: authority and humility, sin and holiness,
rebellion and conformity, wealth and poverty, good and bad. In this
beautiful and richly illustrated book, the acclaimed author of
"Blue" now tells the fascinating social history of the color black
in Europe.
In the beginning was black, Michel Pastoureau tells us. The
archetypal color of darkness and death, black was associated in the
early Christian period with hell and the devil but also with
monastic virtue. In the medieval era, black became the habit of
courtiers and a hallmark of royal luxury. Black took on new
meanings for early modern Europeans as they began to print words
and images in black and white, and to absorb Isaac Newton's
announcement that black was no color after all. During the romantic
period, black was melancholy's friend, while in the twentieth
century black (and white) came to dominate art, print, photography,
and film, and was finally restored to the status of a true
color.
For Pastoureau, the history of any color must be a social
history first because it is societies that give colors everything
from their changing names to their changing meanings--and black is
exemplary in this regard. In dyes, fabrics, and clothing, and in
painting and other art works, black has always been a forceful--and
ambivalent--shaper of social, symbolic, and ideological meaning in
European societies.
With its striking design and compelling text, "Black" will
delight anyone who is interested in the history of fashion, art,
media, or design.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!