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Artists, Advertising, and the Borders of Art (Paperback, New edition)
Loot Price: R1,131
Discovery Miles 11 310
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Artists, Advertising, and the Borders of Art (Paperback, New edition)
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Norman Rockwell and Andy Warhol, J. C. Leyendecker and Georgia
O'Keeffe, the Metropolitan Museum of Art and Pepsi-Cola, the avant
garde and the Famous Artists Schools, Inc.: these are some of the
unexpected pairings encountered in "Artists, Advertising, and the
Borders of Art," In the first interdisciplinary study of the
imagery and practices of commercial artists, Michele H. Bogart
explores, in unprecedented detail, the world of commercial art--its
illustrators, publishers, art directors, photographers, and
painters. She maps out the long, permeable border between art and
commerce and expands our picture of artistic culture in the
twentieth century.
From the turn of the century through the 1950s, the explosive
growth of popular magazines and national advertising offered
artists new sources of income and new opportunities for reaching
huge audiences. Bogart shows how, at the same time, this change in
the marketplace also forced a rethinking of the purpose of the
artistic enterprise itself. She examines how illustrators such as
Howard Pyle, Charles Dana Gibson, and Norman Rockwell claimed their
identities as artists within a market-oriented framework. She looks
at billboard production and the growing schism between "art"
posters and billboard advertisements; at the new roles of the art
director; at the emergence of photography as the dominant
advertising medium; and at the success of painters in producing
"fine art" for advertising during the 1930s and 1940s.
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