Examinations of the use of diagrams, symbols etc. found as
commentary in medieval texts. In our electronic age, we are
accustomed to the use of icons, symbols, graphs, charts, diagrams
and visualisations as part of the vocabulary of communication. But
this rich ecosystem is far from a modern phenomenon. Early
medievalmanuscripts demonstrate that their makers and readers
achieved very sophisticated levels of "graphicacy". When considered
from this perspective, many elements familiar to students of
manuscript decoration - embellished charactersin scripts, decorated
initials, monograms, graphic symbols, assembly marks, diagrammatic
structures, frames, symbolic ornaments, musical notation - are
revealed to be not minor, incidental marks but crucial elements
within the larger sign systems of manuscripts. This
interdisciplinary volume is the first to discuss the conflation of
text and image with a specific focus on the appearance of various
graphic devices in manuscript culture. By looking attheir many
forms as they appear from the fourth century to their full maturity
in the long ninth century, its contributors demonstrate the
importance of these symbols to understanding medieval culture.
Michelle P. Brown FSA is Professor Emerita of Medieval Book History
at the School of Advanced Study, University of London and was
formerly the Curator of Illuminated Manuscripts at the British
Library; Ildar Garipzanov is Professor of Early Medieval History at
the Department of Archaeology, Conservation and History at the
University of Oslo; Benjamin C. Tilghman is Assistant Professor of
Art History at Washington College. Contributors: Tina Bawden,
Michelle P.Brown, Leslie Brubaker, David Ganz, Ildar H. Garipzanov,
Cynthia Hahn, Catherine E. Karkov, Herbert L. Kessler, Beatrice
Kitzinger, Kallirroe Linardou, Lawrence Nees, Eric Palazzo,
Benjamin C. Tilghman.
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