Throughout his career Danish artist Thomas Bang (*1938) has
focussed on various aspects of “fragility” and
“vulnerability”, both as physical and psychological states. His
new monograph is a survey of his sculptural practice, which he
understands as an ongoing investigation into and a reflection on
the ever-changing and provisional aspects of our human environment.
Four multifaceted essays trace his formative years as a painter in
the early 1960s, his subsequent development as a sculptor, his
activities as part of the New York art scene since 1970, up to his
most recent largescale installations and wall-mounted works.
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