Like his compositions, Milton Babbitt's writings about music
have exerted an extraordinary influence on postwar music and
thinking about music. In essays and public addresses spanning fifty
years, Babbitt has grappled profoundly with central questions in
the composition and apprehension of music. These writings range
from personal memoirs and critical reviews to closely reasoned
metatheoretical speculations and technical exegesis. In the history
of music theory, there has been only a small handful of figures who
have produced work of comparable stature. Taken as a whole,
Babbitt's writings are not only an invaluable testimony to his
thinking--a priceless primary source for the intellectual and
cultural history of the second half of the twentieth century--but
also a remarkable achievement in their own right.
Prior to this collection, Babbitt's writings were scattered
through a wide variety of journals, books, and magazines--many hard
to find and some unavailable--and often contained typographical
errors and editorial corruptions of various kinds. This volume of
almost fifty pieces gathers, corrects, and annotates virtually
everything of significance that Babbitt has written. The result is
complete, authoritative, and fully accessible--the definitive
source of Babbitt's influential ideas.
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