Shakespeare has an astonishingly rich and varied performance
tradition in Japan, stretching from the Westernizing and
modernizing ferment of the nineteenth-century Meiji era to the
postmodern performance culture. How has the tradition evolved?
Where is it going? How is it to be accounted for in theatrical and
cultural terms? What does it mean to perform Shakespeare in Japan?
Such questions are raised in this 2001 book's introduction and
pursued in fourteen essays on key aspects, moments and
personalities in the performance tradition. These are followed by
provocative interviews with four leading directors (Deguchi Norio,
Ninagawa Yukio, Suzuki Tadashi and Noda Hideki) and with one
leading performer (Hira Mikijiro). Unlike the very few existing
books on Japanese Shakespeare, this book concentrates on modern and
postmodern theatre, from c.1970, and contains contributions from
both Japanese and Western scholars and theatre practitioners.
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