Technological and economic concerns have long been the drivers of
debate about copyright. But diverse disciplines in the humanities -
including literary studies, aesthetics, film studies, and the
philosophy of art - have a great deal to offer if we wish to
establish a more nuanced and useful conception of copyright and
authorship. This volume brings together scholars from a range of
disciplines to explore the challenges inherent in translating
aesthetics and creativity studies to concepts of copyright,
especially as longstanding approaches are troubled by the rise of
the digital.
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