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Malory and his European Contemporaries - Adapting Late Medieval Arthurian Romance Collections (Hardcover, New)
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Malory and his European Contemporaries - Adapting Late Medieval Arthurian Romance Collections (Hardcover, New)
Series: Arthurian Studies
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A reconsideration of Arthurian compilations in the late middle
ages, looking at the complex ways in which they reshape their
material for new audiences. The late-medieval adaptions and
compilations of the Arthurian story are a European phenomenon that
has sparked both mystification and controversy. Often dismissed as
nostalgic recreations that attempt to halt the literary tide, these
ambitious projects saw adaptors from across Western Europe
combining a vast array of prose and verse sources from different
languages into encyclopedic narrative chronologies of King Arthur
and his court. Ranging from ornate verse adaptations to heavily
condensed prose works, the resulting texts reflect a process of
translating, cutting and arranging Arthurian material into new
literary incarnations, which nonetheless retain recognisable
versions of the Arthurian story. This study re-evaluates Malory's
Morte Darthur and four broadly contemporary European romance
collections, including Jean Gonnot's French BN.fr.112 manuscript,
Ulrich Fuetrer's German Buch der Abenteuer, the Dutch Lancelot
Compilation, and the Italian Tavola Ritonda, in the context of this
adaptive process. In doing so, it investigates how the adaptors
respond to the shared structural and stylistic challenges of
incorporating new material into the well-known story of King Arthur
and comes to intriguing conclusions about the ways in which the
narrative demands of late Arthurian adaptations invited authors to
populate the Arthuriancourt with new and more complex protagonists.
Miriam Edlich-Muth currently teaches Old and Middle English
language and literature at the University of Cambridge.
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