The book presents a theory of relationships between the forms of
devotion and early drama genres. The historical background is the
circumstances of the Church becoming independent of the Empire. A
theological and philosophical aspect of the transformation of piety
at the time was the specification of the ontological status of the
sacred (spiritualization) and "shifting it to Heaven"
(transcendentalization). In opposition to a theory of Western
civilization as a process of increasing individual self-control,
the author argues for the need to take into account purely
religious conditions (the idea of recapitulation). This allows the
author to develop a holistic aesthetics for the religiously
inspired creativity in the period spanning the 11th-15th centuries
and to propose a new typology of medieval drama.
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