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Singing the Congregation - How Contemporary Worship Music Forms Evangelical Community (Paperback)
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Singing the Congregation - How Contemporary Worship Music Forms Evangelical Community (Paperback)
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Contemporary worship music shapes the way evangelical Christians
understand worship itself. Author Monique M. Ingalls argues that
participatory worship music performances have brought into being
new religious social constellations, or "modes of congregating".
Through exploration of five of these modes-concert, conference,
church, public, and networked congregations-Singing the
Congregation reinvigorates the analytic categories of
"congregation" and "congregational music." Drawing from theoretical
models in ethnomusicology and congregational studies, Singing the
Congregation reconceives the congregation as a fluid, contingent
social constellation that is actively performed into being through
communal practice-in this case, the musically-structured
participatory activity known as "worship." "Congregational
music-making" is thereby recast as a practice capable of weaving
together a religious community both inside and outside local
institutional churches. Congregational music-making is not only a
means of expressing local concerns and constituting the local
religious community; it is also a powerful way to identify with
far-flung individuals, institutions, and networks that comprise
this global religious community. The interactions among the
congregations reveal widespread conflicts over religious authority,
carrying far-ranging implications for how evangelicals position
themselves relative to other groups in North America and beyond.
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