In this dramatic rendering, in this fictional portrayal of three
central characters lives, we perhaps catch a glimpse, a glimmer of
something which conveys the timelessness of truth. At once striking
in the intensity of its sweep, illuminated are the supposed
oppositions of victim and victimizer alike. One cannot help but
observe the aesthetic connotations of the painted canvas versus a
virtually textual one as their coupling and separation is explored
concurrently within the very fabric of the narrative structure. The
tension rendered is at once religious, yet pagan; prosaic, yet
poetic; magical yet realistic as this melding of contradiction
takes place.
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