Hualien, on the Pacific coast of eastern Taiwan, and its
mountains, especially Mount Qilai, were deeply inspirational for
the young poet Yang Mu. A place of immense natural beauty and
cultural heterogeneity, the city was also a site of extensive
social, political, and cultural change in the twentieth century,
from the Japanese occupation and the American bombings of World War
II to the Chinese civil war, the White Terror, and the Cold
War.
Taken as a whole, these evocative and allusive autobiographical
essays provide a personal response to history as Taiwan
transitioned from a Japanese colony to the Republic of China. Yang
Mu recounts his childhood experiences under the Japanese, life in
the mountains in proximity to indigenous people as his family took
refuge from the American bombings, his initial encounters and
cultural conflicts with Nationalist soldiers recently arrived from
mainland China, the subsequent activities of the Nationalist
government to consolidate power, and the burgeoning of the island's
new manufacturing society.
Nevertheless, throughout those early years, Yang Mu remained
anchored by a sense of place on Taiwan's eastern coast and amid its
coastal mountains, over which stands Mount Qilai like a guardian
spirit. This was the formative milieu of the young poet. Yang Mu
seized on verse to develop a distinct persona and draw meaning from
the currents of change reshuffling his world. These eloquent essays
create an exciting, subjective realm meant to transcend the
personal and historical limitations of the individual and the end
of culture, "plundered and polluted by politics and industry long
ago."
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