In this fascinating study, Muhsin J. al-Musawi shows how deeply
Islamic heritage and culture is embedded in the tales of "The
Thousand and One Nights" (known to many as the "Arabian Nights")
and how this integration invites readers to make an Islamic milieu.
Conservative Islam dismisses "The Thousand and One Nights" as
facile popular literature, and liberal views disregard the rich
Islamic context of the text. Approaching the text with a fresh and
unbiased eye, al-Musawi reads the tales against Islamic schools of
thought and theology and recovers persuasive historical evidence to
reveal the cultural and religious struggle over Islam that drives
the book's narrative tension and binds its seemingly fragmented
stories.
Written by a number of authors over a stretch of centuries, "The
Thousand and One Nights" depicts a burgeoning, urban Islamic
culture in all its variety and complexity. As al-Musawi
demonstrates, the tales document their own places and periods of
production, reflecting the Islamic individual's growing exposure to
a number of entertainments and temptations and their conflict with
the obligations of faith. Aimed at a diverse audience, these
stories follow a narrative arc that begins with corruption and ends
with redemption, conforming to a paradigm that concurs with the
sociological and religious concerns of Islam and the Islamic state.
By emphasizing Islam in his analysis of these entertaining and
instructional tales, al-Musawi not only illuminates the work's
consistent equation between art and life, but he also sheds light
on its underlying narrative power. His study offers a brilliant
portrait of medieval Islam as well, especially its social,
political, and economic institutions and its unique practices of
storytelling.
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