I Hope So: Sane Wadu follows the expansion and development of
Wadu’s conceptual preoccupations, beginning with an early
interest in bucolic scenes of pastoral life which has evolved into
incisive social commentary, a complex exploration of the
intersection of faith and politics, and an ongoing critique of
societal contradictions. An illuminating essay by Mukami Kuria and
an interview with Rosie Olang’ Odhiambo offer readers multiple
entry points into Wadu’s penetrating vision. This catalogue is
published on the occasion of Sane Wadu’s first retrospective
exhibition at the Nairobi Contemporary Art Institute in 2022.
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