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Blackness in Opera (Hardcover)
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Blackness in Opera (Hardcover)
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Blackness in Opera critically examines the intersections of race
and music in the multifaceted genre of opera. A diverse
cross-section of scholars places well-known operas (Porgy and Bess,
Aida, Treemonisha) alongside lesser-known works such as Frederick
Delius's Koanga, William Grant Still's Blue Steel, and Clarence
Cameron White's Ouanga! to reveal a new historical context for
re-imagining race and blackness in opera. The volume brings a
wide-ranging, theoretically informed, interdisciplinary approach to
questions about how blackness has been represented in these operas,
issues surrounding characterization of blacks, interpretation of
racialized roles by blacks and whites, controversies over race in
the theatre and the use of blackface, and extensions of blackness
along the spectrum from grand opera to musical theatre and film. In
addition to essays by scholars, the book also features reflections
by renowned American tenor George Shirley. Contributors are Naomi
Andre, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa
J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris,
Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah
Schmalenberger, Ann Sears, George Shirley, and Jonathan O.
Wipplinger.
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