This research follows the history of Akko Festival for Other
Israeli Theatre in the years 1980-2012 as a site of a celebration
as well as a confrontation. Thus Akko Festival is a borderland
bringing together established directors and producers from the
center of the field with young and alternative artists outside of
it, as well as bringing together the center's cultural hegemony and
Akko's residents periphery lower-class Jews and Arabs. The research
is based on approach of five aspects and their tight links and
interrelations to investigate the festival: 1) artistic direction;
2) performance repertoire; 3) organization, budget and
infrastructure; 4) reception; 5) host community.
General
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