Researches in the field of the room acoustic emphasize the need to
harmonize the acoustic characteristics of the room and the
performed music so that the musical experience of a listener
matches his aesthetic comprehension of the sound. The first
researches in the domain of acoustic room design were mostly based
on the reverberation theory. In later researches priority was given
to early reflections and afterwords to lateral energy. Proceeding
from the assumption that the listener is the only criterion of the
room quality, we came to the notion of "the desired"
characteristics of the sound field in the room. The notion implies
the qualities of the sound field that listeners consider optimal in
the sense of the complete sound impression in the room. So, the
theory of subjectively desired characteristics of the sound field
as a specific theory in room acoustics was developed. As it is a
relatively new approach, there is the possibility for numerous
researches aiming at the implementation in theory and modeling the
theory. That possibility is used in this book which is specially
interesting for those in the field of music and audio engineering.
General
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