In a Paper City write nothing down. So commands this text, which
dismantles itself as it charts its own admonished course,
navigating the interstices between English and French, the author's
two mother tongues. Through the disquieting absence of the letters
characters "n" and "b," and the narrator's attempt to uncover and
record their lives, Stephens confronts and challenges human
proscription through the untranslatibility of experience, with
ironic and apocalyptic consequences. Beneath this thin narrative
runs an undercurrent of horror that decries the deliberate plunder
of the City resulting from an absolute disregard for history's
relationship to the body's fictions - what "n" and "b" term 'art
lost to numbers.'
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