The Satan of "Paradise Lost" has fascinated generations of
readers. This book attempts to explain how and why Milton's Satan
is so seductive. It reasserts the importance of Satan against those
who would minimize the poem's sympathy for the devil and thereby
make Milton orthodox.
Neil Forsyth argues that William Blake got it right when he
called Milton a true poet because he was "of the Devils party" even
though he set out "to justify the ways of God to men." In seeking
to learn why Satan is so alluring, Forsyth ranges over diverse
topics--from the origins of evil and the relevance of witchcraft to
the status of the poetic narrator, the epic tradition, the nature
of love between the sexes, and seventeenth-century astronomy. He
considers each of these as Milton introduces them: as Satanic
subjects.
Satan emerges as the main challenge to Christian belief. It is
Satan who questions and wonders and denounces. He is the great
doubter who gives voice to many of the arguments that Christianity
has provoked from within and without. And by rooting his Satanic
reading of "Paradise Lost" in Biblical and other sources, Forsyth
retrieves not only an attractive and heroic Satan but a Milton
whose heretical energies are embodied in a Satanic character with a
life of his own.
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