For many centuries, Germany has enjoyed a reputation as the 'land
of music'. But just how was this reputation established and
transformed over time, and to what extent was it produced within or
outside of Germany? Through case studies that range from Bruckner
to the Beatles and from symphonies to dance-club music, this volume
looks at how German musicians and their audiences responded to the
most significant developments of the twentieth century, including
mass media, technological advances, fascism, and war on an
unprecedented scale.
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