Taking as its departure point Bernard Smith's classic study,
European Vision and the South Pacific (1960), Double Vision
explores the ambivalences of European perceptions of the Pacific
and juxtaposes them with the indigenous visual cultures that
challenge Western assumptions about art and representation. Double
Vision addresses these larger interpretive questions through case
studies of the cultures of voyages, colonial art, and indigenous
affirmations of identity. It suggests that images and texts can be
combined through a new practice of innovative, visually oriented
cultural history. This approach yields a fresh understanding of
history, colonialism and culture in Australia, New Zealand and the
Pacific. Double Vision is a challenging combination of visual and
textual inquiry, and its outstanding list of contributors offers a
fresh perspective on art and history in the Pacific.
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