The story of how a troubled boy from Utah who rarely watched films
became the director of Being There and Harold and Maude,
challenging Hollywood with his progressive attitude.FilmInFocus
editor Dawson chronicles each of Ashby's films from its conception
to premiere in dense detail, enriched by hundreds of reported
conversations and recollections. The author pays special attention
to Ashby's formative years as an editor, during which he was
mentored by director Norman Jewison through many films before
eventually being handed the reins. According to countless
testimonies from his peers, friends and actors, Ashby was
brilliant, witty and entertaining. His reputation and appearance as
a drug-addled hippie belied his obsessive work ethic and commitment
to professionalism on set. Much of the delight in reading this
story comes from the irony surrounding certain films and personal
choices. Before it became a cult classic, Harold and Maude was a
flop with the critics. Though he climbed purposefully to prominence
as a filmmaker, Ashby dove headlong into new love affairs without
circumspection; he married within weeks and divorced almost as
quickly. Dawson posits that the death of Ashby's father - which
Hal, alone among his family, considered a suicide - was the shadow
the filmmaker could never escape and the source of chronic unrest
in his personal life. The author withholds this kind of analysis
for most of the narrative, but he offers it occasionally as a
justification for Ashby's eruptions and abandonments. Dawson glides
through Ashby's wrecked personal relationships, wisely choosing to
dwell instead on the work of a man whose career consumed his life.A
worthwhile portrait by a capable biographer. (Kirkus Reviews)
Hal Ashby (1929--1988) was always an outsider, and as a director
he brought an outsider's perspective to Hollywood cinema. After
moving to California from a Mormon household in Utah, he created
eccentric films that reflected the uncertain social climate of the
1970s. Whether it is his enduring cult classic Harold and Maude
(1971) or the iconic Being There (1979), Ashby's artistry is
unmistakable. His skill for blending intense drama with off-kilter
comedy attracted A-list actors and elicited powerful performances
from Jack Nicholson in The Last Detail (1973), Warren Beatty and
Julie Christie in Shampoo (1975), and Jon Voight and Jane Fonda in
Coming Home (1979). Yet the man behind these films is still
something of a mystery.
In Being Hal Ashby: Life of a Hollywood Rebel, author Nick
Dawson for the first time tells the story of a man whose thoughtful
and challenging body of work continues to influence modern
filmmakers and whose life was as dramatic and unconventional as his
films. Ashby began his career as an editor, and it did not take
long for his talents to be recognized. He won an Academy Award in
1967 for editing In the Heat of the Night and leveraged his success
as an editor to pursue his true passion: directing. Crafting
seminal films that steered clear of mainstream conventions yet
attracted both popular and critical praise, Ashby became one of the
quintessential directors of the 1970s New Hollywood movement.
No matter how much success Ashby achieved, he was never able to
escape the ghosts of his troubled childhood. The divorce of his
parents, his father's suicide, and his own marriage and divorce --
all before the age of nineteen -- led to a lifelong struggle with
drugs for which he became infamous in Hollywood. And yet, contrary
to mythology, it was not Ashby's drug abuse that destroyed his
career but a fundamental mismatch between the director and the
stifling climate of 1980s studio filmmaking. Although his name may
not be recognized by many of today's filmgoers, Hal Ashby is
certainly familiar to filmmakers. Despite his untimely death in
1988, his legacy of innovation and individuality continues to
influence a generation of independent directors, including Wes
Anderson, Sean Penn, and the Coen brothers, who place substance and
style above the pursuit of box-office success.
In this groundbreaking and exhaustively researched biography,
Nick Dawson draws on firsthand interviews and personal papers from
Ashby's estate to offer an intimate look at the tumultuous life of
an artist unwilling to conform or compromise.
General
Imprint: |
The University Press of Kentucky
|
Country of origin: |
United States |
Series: |
Screen Classics |
Release date: |
May 2009 |
First published: |
March 2009 |
Authors: |
Nick Dawson
|
Dimensions: |
235 x 156 x 25mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
440 |
ISBN-13: |
978-0-8131-2538-1 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
|
LSN: |
0-8131-2538-3 |
Barcode: |
9780813125381 |
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