Art Into Theatre investigates the processes of hybrid forms of
performance developed between 1952 and 1994 through a series of
interviews with key practitioners and over 80 pieces of
documentation, many previously unpublished, of the works under
discussion.
Ranging from the austerity of Cage's 4'33" through the
inter-species communication of Schneeman's Cat Scanand the
experimental theatre work of Schechner, Foreman, and Kirby, to the
recent performances of Abramovic, Forced Entertainment and the
Wooster Group, Art Into Theatre offers a fascinating collection of
perspectives on the destabilizing of conventional ideas of the art
"object" and the theatrical "text."
Nick Kaye's introductory essay to the volume offers a useful
context for the reader and each interview is preceded by an
informative biographical sketch.
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