Serbia's national movement of the 1980s and 1990s, Nick Miller
suggests, was not the product of an ancient, immutable, and
aggressive Serbian national identity; nor was it an artificial
creation of powerful political actors looking to capitalize on its
mobilizing power. Miller argues that cultural processes are too
often ignored in favor of political ones; that Serbian
intellectuals did work within a historical context, but that they
were not slaves to the past. His subjects are Dobrica Cosic (a
novelist), Mica Popovic (a painter) and Borislav Mihajlovic Mihiz
(a literary critic). These three influential Serbian intellectuals
concluded by the late 1960s that communism had failed the Serbian
people; together, they helped forge a new Serbian identity that
fused older cultural imagery with modern conditions.
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